The ‘shh’ isn’t telling you to be quiet. It’s asking you to stop for five minutes and listen. To each other. To yourself.

Located in Shreveport, Louisiana:

“After the Shreveport Regional Arts Council approached Philadelphia-based muralist Meg Saligman in 1999, she poured herself into the city—researching its history and interviewing and taking photos of hundreds of long-time residents. She asked them what objects they would like to give the people of Shreveport at the turn of the next millennium, what was the most beautiful thing they’d ever seen, and how it felt to live in the historic port city.

With the help of 4,000 community collaborators, 1,500 gallons of donated paint, and a clever paint-by-number grid system Seligman developed specifically for this mural (which would later become industry standard), the mural came to life in the first year of the new millennium. The scale alone is breathtaking—but it’s the details that stir the soul.

The mural depicts 19 residents—ranging in age from three months to 80 years old—holding or posing alongside an array of seemingly everyday objects. Some are personal to the subjects, heirlooms like a cast-iron skillet in its third generation or a ceramic cup that was the sole surviving possession from a fire in one family’s home. Others tell the story of Shreveport and its environs, like a cornucopia of produce native to northwestern Louisiana, a fork from a steamship mail-carrier that once traveled the Red River, and architectural elements from the nearby Municipal Auditorium, itself Louisiana’s finest art deco style structure. A helpful, numbered decoding guide sits by the fence near the foot of the mural that explains the names and meanings of each person and object.

The western wall of the building features a sole area high schooler, her skirt billowing in the wind and holding an orb of fire which, as the guide reads, is a “symbol of hope [and] a gift to the residents of Shreveport in the year 3000”