The city inspires young artists like the Mosaist to reclaim public spaces calling for art as rebellion against conformity. As Paris evolves, street art is ephemeral yet eternal—remind the city of it,s openness toward art one wall at a time. The mosaist and his collectice is represented by Galerie Montorgueil in paris!

Place Igor-Stravinsky, near the Centre Pompidou in Paris, is a vibrant hub for street art, set against the backdrop of the colorful Fontaine des Automates by Jean Tinguely and Niki de Saint Phalle. The square features iconic works by renowned artists, most notably Jef Aérosol’s 350m² mural Chuuuttt!!! (2011), a black-and-white fresco with a red arrow signature, depicting a man urging silence to appreciate the city’s subtle sounds. Invader, the anonymous French artist known for his pixelated mosaics inspired by the 1978 video game Space Invaders, contributes significantly with his largest mosaic in the square 70m² piece, alongside other smaller works scattered nearby. Shepard Fairey, aka Obey, adds bold graphic murals.

The city inspires young artists like the Mosaist to reclaim public spaces calling for art as rebellion against conformity. As Paris evolves, street art is ephemeral yet eternal—remind the city of it,s openness toward art one wall at a time. The mosaist and his collectice is represented by Galerie Montorgueil in paris!

Invader, an anonymous French street artist is renowned for his pixelated mosaic artworks inspired by the 1978 video game Space Invaders he installs his ceramic tile creations on public walls worldwide, transforming urban spaces into playful, open-air galleries. His iconic pixelated aliens, characters, and objects reflect a blend of retro gaming culture and contemporary street art, often carrying subtle social or political commentary. Invader’s largest work, PA_1432 (2019), a 70m² mosaic, adorns Place Igor-Stravinsky in Paris, near the Centre Pompidou, with smaller pieces scattered nearby. His global “invasion” spans over 80 cities, including London, New York, and Tokyo, with thousands of mosaics documented via his “Space Invaders” app, which gamifies spotting his art. Invader’s anonymity, like Banksy’s, fuels his mystique, though his style is unmistakable.His work, durable yet sometimes removed or stolen, challenges notions of public space and art ownership, cementing his status as a pioneer of urban art.